Audie Cornish | WCAI

Audie Cornish

Audie Cornish is a co-host of All Things Considered, NPR's award-winning afternoon newsmagazine.

Previously, she served as host of Weekend Edition Sunday. Prior to moving into that host position in the fall of 2011, Cornish reported from Capitol Hill for NPR News, covering issues and power in both the House and Senate and specializing in financial industry policy. She was part of NPR's six-person reporting team during the 2008 presidential election, and had a featured role in coverage of the Democratic National Convention in Denver.

Cornish comes to Washington, D.C., from Nashville, where she covered the South for NPR, including many the Gulf states left reeling by the 2005 hurricane season. She has also covered the aftermath of other disasters, including the deaths of several miners in West Virginia in 2006, as well as the tornadoes that struck Tennessee in 2006 and Alabama in 2007.

Before coming to NPR, Cornish was a reporter for Boston's award-winning public radio station WBUR. There she covered some of the region's major news stories, including the legalization of same sex marriage, the sexual abuse scandal in the Boston Roman Catholic Archdiocese, as well as Boston's hosting of the Democratic National Convention. Cornish also reported for WBUR's syndicated programming including On Point, distributed by NPR, and Here and Now.

In 2005, Cornish shared in a first prize in the National Awards for Education Writing for "Reading, Writing, and Race," a study of the achievement gap. She is a member of the National Association of Black Journalists.

Cornish has served as a reporter for the Associated Press in Boston. She graduated from the University of Massachusetts at Amherst.

As young men, the sons of the Villalobos family in rural Veracruz, Mexico embarked on separate paths — at least, geographically. One by one, the three violin-playing brothers left their hometown of Xalapa to study classical music abroad. Ernesto, the oldest of the three, went to study at the Manhattan School of Music. Alberto, the middle brother, went to the Royal Conservatory of Brussels and finally Luis, the youngest, went to the Hochschule für Musik in Freiburg, Germany.

Since it dropped in April, Lil Nas X's "Old Town Road" has been an inescapable hit. The song's massive blow-up is at least partially thanks to TikTok: the social media platform that launches viral stars 15 seconds at a time, and what writer Alyssa Bereznak called the "future of the music industry" in a recent article for The Ringer.

Back in the mid-'90s, Emily Nussbaum was working on a Ph.D. in literature at NYU. But the TV on the other side of the room just kept catching her eye.

"I was sitting on my sofa," Nussbaum says in an interview. "I had a small, junky television. I had broken the extremely rudimentary remote control. I had to get up from the sofa, walk over to the television, turn the big plastic dial ... it made a nice clunky sound."

In 2008, fire swept through a Universal Studios Hollywood backlot. The loss was thought to be a few movie sets and film duplicates. But earlier this week, The New York Times published a report revealing that the 2008 fire burned hundreds of thousands of master recordings of genre-spanning, legendary music from the late 1940s to the early '80s as well as digital formats and hard drives from the late '80s up through the early 2000s.

Facing the threat of a federal lawsuit, Alabama's Department of Corrections has unveiled a three-year plan to address its shortcomings and improve conditions for inmates and staff.

Vampire Weekend's last album, Modern Vampires of the City, helped vault it to festival headliner status, and topped year-end best-of lists when it was released. But that was six years ago — and a lot has happened in the time since. One of the main creative forces in the band, Rostam Batmanglij, left the group in early 2016.

Kanye West has been rapping about God from early in his career, hearkening back to one of his first hits, "Jesus Walks" off his debut album, 2004's The College Dropout.

David Means is an enthusiast, and a defender, of the short story. As he once said, "We don't tell novels at the kitchen table."

"Of course, that's sort of a sales pitch for the short story form," Means says in an interview. "But I really believe that they're really usually, at the core, relatively simple. You know: This happened, and then this happened."

Create and star in a blockbuster hip-hop musical, and you get to do pretty much anything you want. For Lin-Manuel Miranda, the playwright and composer behind Hamilton and In the Heights, that means starring in the sequel to a hallowed Disney classic.

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Andre Leon Talley is best known for his time as a fashion editor for Vogue and for what he wears on his 6'6" frame.

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1988 was a colossal year for hip-hop. Soon-to-be-classic albums from Public Enemy, N.W.A., Run-D.M.C, Boogie Down Productions and more solidified the artform birthed from the Bronx as a viable and music industry-funded endeavor. Stretch Armstrong and Bobbito Garcia, who host NPR's What's Good podcast, remember the hip-hop revolution circa 1988.

Forty years ago, horror fans were introduced to the masked killer Michael Myers, stalker of babysitters in a small Illinois town. The film was, of course, Halloween. And it was the debut of Jamie Lee Curtis, who played the bookish babysitter, Laurie Strode — the original "final girl" character who narrowly escapes the slaughter. Curtis appeared in three more sequels and even died in one. She thought she'd left that character behind.

Jarrett J. Krosoczka is a kids' book writer and he loves to make his readers laugh, in silly picture books like Naptastrophe and Punk Farm and his action-packed Lunch Lady graphic novel series featuring a crime-fighting, apron-wearing lunch lady who's always ready to do battle to protect her students.

Cardi B's Billboard No. 1 song "I Like It" samples Pete Rodriguez's 1967 boogaloo hit "I Like It Like That." Just as the song's chart-topping success is emblematic of hip-hop's current absorption of reggaeton, the 1967 hit capitalized on a moment in New York history created by Latin voices.

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