Technological advances have always influenced art. Think synthetic dyes or the invention of photography. Now, artists are diving into the realms of nanotechnology, genetics, and artificial intelligence. And MIT is leading the way.
According to MIT, Spider’s Canvas is “an exploration that sonifies the threads of a spider web, was designed, constructed, and performed by a team brought together by MIT’s Center for Art, Science, and Technology (CAST).”
“Civil engineers are so interested in [spider webs] because they're amazing structures,” Leila Kinney told Living Lab Radio. “They’re 3-D structures, without scaffolding, in space. The actual protein in the spider silk has amazing tensile strength as well as elasticity.”
Another connection has to do with the origin of the universe, Kinney said.
“When physicists and cosmologists talk about the origin of the universe, they often use the metaphor of a spider's web for what it might have looked like just after the Big Bang,” she said.
The piece, which is now in the Nano Building, is a sonic landscape which functions as either an installation or as a performance, Kinney said.
“We call it an inter-species collaboration,” she said.