Howie Movshovitz
Howie Movshovitz came to Colorado in 1966 as a VISTA Volunteer and never wanted to leave. After three years in VISTA, he went to graduate school at CU-Boulder and got a PhD in English, focusing on the literature of the Middle Ages.
In the middle of that process, though (and he still loves that literature) he got sidetracked into movies, made three shorts, started writing film criticism and wound up teaching film at the University of Colorado-Denver. He continues to teach in UCD’s College of Arts & Media.
He has been reviewing films on public radio since 1976 (first review: Robert Altman’s Buffalo Bill and the Indians). Along the way he spent nine years as the film critic of The Denver Post, and has been contributing features on film subjects to NPR since 1987.
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Agnes Varda practically invented the French New Wave, and at 89 she's still working, co-directing a new film with artist JR about their travels through the French countryside in his photography van. -
The Salesman is the latest work by celebrated Iranian filmmaker Asghar Farhadi. Based on Arthur Miller's Death of a Salesman, the film explores the life of a young couple in Tehran.
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Kiarostami began making films in 1970 and continued after the 1979 Islamic Revolution. His work helped make Iranian cinema a major international force. The director died Monday in Paris at age 76.
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In 1964, the silent film master and the celebrated playwright made a film together. It was Beckett's first movie — and it showed. Notfilm tells the story of their collaboration.
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Joshua Oppenheimer's sequel to the award-winning documentary The Act of Killingfollows an optician seeking to confront the men who killed his brother during the Indonesian genocide.
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The latest movie from filmmaking brothers Jean-Pierre and Luc Dardenne stars Marion Cotillard as a young mother who fights to keep from getting screwed over by her colleagues at work.
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The new film from British director Mike Leigh, Mr. Turner, takes up an historical figure: iconic British painter JMW Turner. But it also incorporates another theme of Leigh's: the human story of the working person. Painting was Turner's job and he was as down to earth as a factory worker.
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Filmmakers Alex and Andrew Smith knew American Indian writer James Welch — he was a family friend. But as non-Native Americans, they had concerns about adapting his iconic novel, Winter in the Blood.
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Known for serious films such as The Clockmaker and 'Round Midnight, the French filmmaker has turned to comedy — with a serious undertone — in his latest film, The French Minister.
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The filmmaker fell in love with Polish cinema in college, and the images have stayed with him ever since. "I close my eyes, I see them," he says. "They're very vivid, expressive, immediate." Scorsese's festival of 21 handpicked movies will travel to 30 American cities.
