Chris Klimek
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Christopher Nolan's taut, suspenseful film tells three interwoven stories of a massive troop evacuation during World War II.
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The latter-day Apes prequel trilogy concludes quietly, without cinematic chest-thumping. Critic Chris Klimek says the result is "suspenseful, mournful, grand and sensitively performed."
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"This is a squealing-tires symphony that owes more to Jacques Tati ... than to Justin Lin or Michael Bay," says critic Chris Klimek.
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The new Hulu documentary Becoming Bondis all about the man who was only James Bond once: George Lazenby.
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Pirates Of The Caribbean: Dead Men Tell No Talesis almost definitely the best fourth sequel ever made to a movie based on a 50-year-old theme park ride.
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While Alien: Covenantis better than Prometheus, the last franchise entry, it still lacks the basic elements that made Alienand Aliensso widely admired.
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Goldie Hawn and Amy Schumer star in Snatched, which has plenty of flaws, but at least offers a chance to see two very funny women with lively chemistry.
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Critic Chris Klimek says Philippe Falardeau's film about the fall and rise of Chuck "The Bayonne Bleeder" Wepner, starring Liev Schreiber, suffers from a prosaic, just-the-facts approach.
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This "agreeably amoral comic thriller" about a weapons deal gone wrong might be, according to critic Chris Klimek, "the most realistic movie gun battle ever."
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This "bloated and listless" installment of the Furious franchise stays true to the series' "chop-shop aesthetic, in the sense that its flashiest parts are all stolen," says critic Chris Klimek.