Eric Deggans
Eric Deggans is NPR's first full-time TV critic.
Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.
Deggans is also currently a media analyst/contributor for MSNBC and NBC News. In August 2013, he guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. The same month, Deggans was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." And in 2019, he was named winner of the American Sociological Association's Excellence in the Reporting of Social Justice Issues Award.
In 2019, Deggans served as the first African American chairman of the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.
He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.
From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.
Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.
Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.
Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.
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Our critics gather together their favorite films and TV shows of 2024. You can search by genre and where you can see it.
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In a wave of fall TV shows, including The Day of the Jackal, The Agency, and Netflix's new Keira Knightley series Black Doves, spies don't just answer to their intelligence agencies – they've also got families at home.
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A small town in Germany turns its town hall into the "world's largest" Advent calendar each December. It started as a way to boost businesses in the winter, but it's grown to mean much more.
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As cable TV struggles to compete with streaming services, those streaming services are beginning to resemble cable TV -- at least in terms of ads. Decisions from Comcast and Disney illustrate this.
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In Landman, filmmaker Taylor Sheridan turns his attention to the dangerous and very masculine oil industry. TV critic Eric Deggans says the series often portrays women as caricatures.
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Netflix's foray into live boxing, with the bout between Jake Paul and Mike Tyson, attracted millions of viewers but was marked by technical glitches.
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Aldis Hodge stars as the latest on-screen version of James Patterson's sharp police detective.
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So far, Yellowstone has scored sky-high viewership as a western soap opera. Costner's departure just adds to the drama.
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President-elect Trump has excelled at creating his own media image, from his earliest days as a real estate baron. His supporters find him entertaining and feisty, and even critics find it difficult not to talk about him.
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It's a big week for doom scrolling and channel-surfing. Here are suggestions for binge-watching: Lioness, Tulsa King, Shrinking and Somebody Somewhere.