Tim Greiving
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Terence Blanchard received his first Oscar nomination for the BlacKkKlansman score. The 56-year-old jazz trumpeter from New Orleans has been Spike Lee's right-hand composer since Jungle Fever in 1991.
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Composers of color have long had to compete with dead white men for space on the concert stage. A new project, spearheaded by Rachel Barton Pine, seeks to correct that for the next generation.
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One of the unsung heroes of the Texas Outlaw music movement was songwriter Blaze Foley. A new biopic directed by Ethan Hawke explores Foley's life and music.
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Jocelyn Pook has written award-winning music for the theater, dance and the concert stage. Her work can be heard right now in cinemas on the score to 'The Wife' and in households in the Netflix series 'The Staircase.'
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Tom Holkenborg draws on his history as trance DJ Junkie XL for the bombastic electronica-meets-orchestra music he has composed for Mad Max: Fury Road, Batman v. Superman, and now The Dark Tower.
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His sound has helped define David Lynch's work since Blue Velvet and was an essential character in the original Twin Peaks. Now, Badalamenti and Lynch are reuniting for the show's revival.
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Goldsmith scored more than 200 films, including Alien, Chinatown and the first Star Trek movie. While his career paralleled that of John Williams, he never enjoyed the same kind of name recognition.
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The show originally aired in the '90s and helped spawn the entire attitude of the Internet. Sure, it had a silly premise — but it also had a cult following. The reboot's first season drops on Friday.
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Composers Brooke and Will Blair got some notice last year for their music for the cult hit Green Room, starring their brother Macon. Now they're scoring his directorial debut.
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When a film starts, "you have anywhere from two to 10 seconds to get the audience's attention," score writer Bear McCreary says. He gained this and other advice from his mentor, whom he met by chance.